Anime in China

Anime is usually thought of as an exclusively Japanese-style of animated feature film, and ever since the release of the science fiction movie Akira in 1988 it has certainly been the most widely distributed in the collective west. 

The form is not unique to Japan however, and in China they have their own form of anime, usually known as "donghua." I have seen only one or two, such as the charming fantasy City of Lost Things, which appeared in 2021. The Chinese animation industry is also one of the few I am aware of to use the form to tell the stories of famous historical figures, like The Leader, a donghua biopic released in 2018 to mark the centenary of the birth of the philosopher Karl Marx, which focuses on the romance of the German philosopher with his wife Jenny, and great friendship with Engels.

You can watch the trailer with English subtitles here:

I have written several other articles specifically about comics around the world which can be read here:

https://thefreakydoodlesofrussmcp.blogspot.com/2020/02/historietas-y-tebeos-comics-in-mexico.html

https://thefreakydoodlesofrussmcp.blogspot.com/2020/02/bandes-dessinees-rich-world-of-french.html

https://thefreakydoodlesofrussmcp.blogspot.com/2020/01/fumetto-discovering-italian-comic.html

https://thefreakydoodlesofrussmcp.blogspot.com/2020/06/comics-in-gdr.html

Lost Art Available to View and Own for the first time!

An image that has been sitting forgotten in my files for over two decades, waiting for some future time when I could be free to inflict my demented scribblings directly upon the unsuspecting public without having to pass under the disturbed glances of the gatekeepers of the publishing world, is at long last publicly available for YOU the general public to view or own.

I hope my madness fits in neatly with your own.

Enjoy!

https://www.redbubble.com/shop/ap/118117512?ref=studio-promote

NEW COMIC STRIP

I have enjoyed a lot of the historical comics that have been published over the last decade immensely, whether it is Mary and Bryan Talbot's graphic novels about the French revolutionary Louise Michel, or Kate Evans' book about the Polish-German communist Rosa Luxembourg, or even the late, great Spain Rodriguez's graphic autobiography of the Argentine revolutionary, and honorary Cuban, Ernesto "Che" Guevara.

What more could a former bookseller, whose principle published comics have been a series of short strips consisting mainly of gags aimed at Scottish stoners a decade ago, possibly add to magnificent illustrated tomes of this nature? After all, there are many (non-illustrated) books about these revolutionaries and others in the English language.

If you have looked at this blog before you will know that I have a particular fascination with uncovering art (including comics, music and film) that lies outside the mainstream of western culture. The Cold War years certainly shut us off from a lot of art and culture which only cheaper travel and the Internet has made (theoretically) more accessible. Yet despite being able to travel freely to countries of the former Soviet Union for thirty years, most people in the west remain oblivious of the culture of the east, effectively shut out by the invisible barriers of language. Add to this the fact that if the entire culture of a civilisation is routinely written off for by western pundits and historians as mere propaganda for a century, you create a situation in which people in the west aren't even aware of what they are missing.

The first installment of Going East is about a Canadian musician who emigrated to East Germany, and seems to remain completely unknown in Canada and the wider western world because he sang in German and any books that have been written about him are only published in German. I hope it inspires some people to find out more art they may have missed out on. I assure you, its the merest tip of the iceberg.

 

Drawing with Russ Ep.2 - Light and Shade

The second part of our new series of web tutorials teaching the raw basics of drawing that pretty much anyone should be able to master.

Drawing with Russ Ep.1 - "I Can't Draw!"

My first YouTube tutorial, aimed at complete beginners, in which we explore how much you can convey with a stick man.

Historietas y Tebeos - Comics in Mexico

Since the Spanish-speaking world covers everything from Spain itself to the whole of South and Central America that isn't Brazil or French Guyana, I am going to focus on the comics of one country for starters: Mexico.

When looking for the roots of Mexican satirical cartoons one place to begin may someone like the nineteenth century political lithographer Jose Guadalupe Posada (1852-1913). Posada's influence was of course not just confined to cartoonists but also extended to the wider culture, perhaps most notably to the muralists that emerged after the Mexican Revolution of 1910. 

Figures like Diego Rivera, Jose Clemente Orozco, David Alfaro Siqueiros and Fernando Leal, not mention the iconic surrealist painter Frida Kahlo, often referenced some of the same cultural iconography that Posada had popularised years earlier, and they certainly shared similar politics. 

One of Posada's iconic characters

A later artist to draw upon the political radicalism of Posada and the muralists was the cartoonist Eduardo del Rio (better known by his pen name Rius) (1934-2017). "Rius" created satirical comic strips in the 1960s like 'Los Agachados' as well as many books that reflected his left-wing sympathies and critique of the Catholic church, of which he was a member for many years. His 1981 book El manual del perfecto ateo (The Handbook for the Perfect Atheist) even got him excommunicated, while his history of the Catholic Church probably didn't help things either. Its called Pope Puree (which I understand is a kind of play on words of the Spanish term for "mashed potatoes"). 
Rius also carries the curious distinction of being the first author outside of the Soviet bloc to be published by Izvestia.

"Drugs: The U.S.A's Big Business"

(a cover for Los Agochados de Rius)

One of his most widely read books is Marx para principiantes (Marx for Beginners) which helped launch the whole "for beginners" genre.
Rius remained active for most of his life, helping launch the magazine El Chamuco in 1996 with other creators like El Fisgon, although sadly this version of the magazine folded in 2000 before its eventual re-launch in 2007. 

Bandes-dessinees: the Rich World of French Comics

I have always been aware of the respect that the French hold for the arts. More to the point, since learning, in the mid-1990s, that the two most famous names of 1960s U.S. underground comix - Robert Crumb and Gilbert Shelton - had both chosen independently to emigrate to France, I have also been conscious that this high regard also extends to that form of graphic storytelling and social commentary so frequently dismissed in the English speaking world as "comics" or "cartoons" (I imagine this is because no one has yet coined a more succinct term, meaning the endless confusion with fields like animation and stand-up comedy persist).
Growing up in the UK I found that only a thin slice of French talent was ever translated and published in English. I had heard of the work of the science fiction illustrator Moebius (pen name of the late Jean Girard), for instance, or the humorous slice-of-life cartoons of Claire Bretecher, and of course books like Asterix and Iznogoud figured prominently in my reading habits from a young age (certainly as much as MAD magazine), but that was about it. 
As i grew up and found myself wanting to seek out newer or more different work I soon found that unless you read Heavy Metal magazine avidly (this being the US version of France's sci-fi/fantasy magazine Metal Hurlant, nothing to do with the music genre), there were very few opportunities to find work by French artists short of actually learning some French and going there.
One of the interesting things you find when you do go there is how mainstream the French love of comics and satirical magazines is. It extends well beyond the walls of comic shops, as here you will find that they grace the shelves of most newsagents in the country. It reminds me of that brief renaissance in the late 80s-early 90s when British newsagents's shelves were filled with VIZ imitators.

The reality for UK mass market comics aimed at a more mature audience has consisted for many years now primarily of VIZ and Private Eye (both of which are really humorous or satirical magazines that also happen to publish a lot of comic strips or gag cartoons). This figure at least doubles as soon as you cross the Channel. For every VIZ you have a Fluide Glacial and (periodically) l'Echo des Savanes. For every Private Eye you have papers printed on equally cheap looking newsprint with names like Le Canard enchaine, Sine Mensuel or Charlie Hebdo.
It also impressed me that within just one French comic magazine you find a much wider diversity of drawing styles than I am used to seeing in either VIZ or more kid friendly fare from DC/Thompson. (This is one area in which the long-running science fiction mag 2000ad bucks the trend at least.) 
Perhaps it is just because I grew up with MAD and US underground comics more than Marvel and DC that I feel more invigorated by publishers that do not cultivate a "house style"? 
In just one edition of Fluide Glacial, for instance, I have seen artists as diverse as those with the loose cartoon-style of Fabrice Erre or Edika, to those with the detailed realism of Dominique Bertail.
And that's just on the news-stands. There is of course an equally dedicated array of specialist comic shops catering for people that enjoy longer, graphic novels. Rue Dante, in the area known as the Latin Quarter (on the south side of the River Seine), has long maintained a collection of different comics and speciality stores. Over the years, we have even seen this unique market developed and catered to by a science fiction-themes creperie.  
Almost makes me wish I could speak French more fluently!