This article, like my other articles about the music or films of Venezuela or comic art around the world, is intended as an introduction, a brief overview, of the popular culture of a country that is all too frequently ignored in European countries like my own.
I begin by looking at Rai music.
“Rai” is a form
of Algerian folk music which originated in 1920s Oran (in French
colonial Algeria, Oran was sometimes known as “little Paris”). At
that time the city in the west of the country was a cultural melting
pot full of nightclubs, with a large Jewish, Spanish and (of course)
French population living alongside the native Arab and Berber
population.
Rai music is
traditionally sung by the cheb, or shabab (“young”), and the
style developed in the poorer, working class neighbourhoods of the
city, out of traditional Berber folk styles.
Derb, the Jewish
quarter, produced musicians like Reinette l'Oranaise (1918-1998) and
Saoud l'Oranais (1886-1943), the latter being not just a band leader
but also owner of the original Cafe Oran venue.
A popular female rai
singer from the 1940s onwards was Cheikha Rimitti (1923-2006).
Sidi el Houari, the
old quarter (like a Casbah) of Oran, sits out in the west of town
beside the docks, in an area that used to be made up largely of
Spanish fishermen, a population which vastly expanded after 1939 and
the fascist victory in Spain. It remains a poor neighbourhood with
few transport links even today.
Rachid Baba Ahmed
(1946-1995), who often sang in a duo with his brother Fethi, and ran
his own record store, was tragically assassinated by Salafi Islamists
during the civil war that disrupted the country during the 1990s.
A younger rai
musician, Cheb Hasni (1968-1994), whose song 'El Berraka' concerns an
evening of drunken sex, like so much rai music a reflection of the
lives and social conditions of the people, was killed by the same
ultra conservative forces.
An Algerian singer
with a far more mainstream pop sound was Freh Khodja, whose songs in
the 1970s and 80s often dabbled in funk, disco and even reggae!
The most famous
Algerian film in Europe and beyond is probably Z (1968), an Algerian-French joint production which was directed by the left-wing Greek director Costa-Gavras. The Battle of Algiers (1966), an Algerian-Italian documentary about the independence war, directed by Gillo Pontecorvo, is also very well
known.
I understand that the US military even organised screenings of this latter
film for Pentagon officials prior to the 2003 invasion of Iraq, although it is hard to understand how a film about an indigenous guerrilla war bears any relation to a foreign-backed regime change invasion...
There are a few
examples of films made exclusively in the Arab world around this time
which still make good viewing today.
Egyptian director Youssef
Chahine's 1958 historical drama Jamila, the Algerian was
produced in Nasser's Egypt, clearly out of solidarity with the cause of
Pan-Arab national liberation, as the independence war against French
colonialism in Algeria was still ongoing at the time this film
appeared.
Chahine's film, with its fast-paced dialogue, focuses on Djamila Bouhired, one of the most
important female revolutionaries to emerge during the Algerian
independence struggle. Born in 1935, she continues to make her home in Algiers, where she remains
politically engaged in a number of different causes including the women's movement, which has sadly seen rather less success in Algeria than the cause of national independence did.
In the
post-independence context, Chahine also directed the first
Egyptian-Algerian co-production. Le Moineau (The Sparrow
in English, or Al-Asfour in its native Arabic) is a political
drama set during the Six Day War of 1967. It did not receive a UK
release until 2007!
Mohammed Lakhdar-Hamina won an award for Best First Work at the 1967 Cannes Film Festival for his war drama Le Vent des Aures (The Winds of Aures), and would follow it with the war comedy Hassan Terro (1968) and the epic Palme d'Or award-winning historical film Chronique des Annees de Braise (Chronicle of the Years of Fire) (1975).
I could go further, outlining the contemporary cultural scene in 21st century Algeria, in particular how the country was affected by endemic corruption and an uprising of ultra-conservative Salafi forces during the 90s, but I will save this for another article, in which I will also talk more about Algerian literature.
A recent book by the
French historian Alain Ruscio (b.1947), a contributor to France's
longest-running left-wing daily newspaper l'Humanite, may also
add some useful context for those wanting to understand more of the country. Les communistes et l'Algerie. Des
origines a la guerre d'Independance, 1920-1962 (published by La
Decouverte in 2019), examines the role of leftist movements in
Algeria in the decades preceding independence.
